MULTAN – Rising from the land of saints and centuries-old civilisations, the Multan Museum is set to become a living chronicle of one of South Asia’s oldest continuously inhabited cities, offering visitors a journey through time that blends archaeology, art, warfare and storytelling. As archaeologists, and designers refine the interior layout of the newly constructed museum, their vision goes far beyond static displays. The evolving concept aims to transform the museum into an immersive experience, almost like a time machine, guiding visitors through the layers of Multan’s rich, and complex past. From the era of early settlements to the waves of invasions that shaped its identity, Multan’s history is marked by resilience and cultural fusion. The museum’s galleries are being designed to narrate these transitions, capturing the city’s role as a strategic, spiritual, and commercial hub. A step into the hall through a big traditional wooden door into the gorgeous edifice, one would encounter a three dimensional image of a sword-wielding horseman wearing traditional defensive armament of that time, perhaps a general with infantry men around, some of them injured. The three-dimensional war scene is installed on a platform, depicting traditional warfare the city of saints had witnessed throughout its varied segments of history. It was a key highlight of the museum, the dioramas, carefully crafted three-dimensional scenes depicting defining moments in Multan’s history, says Muhammad Hassan, a noted archaeologist, who is leading a team of experts, designing interior, the last leg of the project nearing completion. 
These installations will visually reconstruct ancient marketplaces, battle scenes, and daily life in different eras, allowing visitors to witness history rather than merely read about it. Another diorama would depict Multan’s legacy of coin minting, a testament to its economic vitality in ancient times. Rare coins from various dynasties will be displayed to illustrate the city’s importance as a center of trade and governance, reflecting influences from different rulers who left their mark on the region.
Equally significant is the celebration of Multan’s enduring craftsmanship. The intricate art of Kashikari, the iconic blue pottery and tile work, will feature prominently, connecting the past with the present. These masterpieces, still produced by local artisans, stand as living evidence of a tradition that has survived centuries. “Our objective is to present Multan’s history in a way people can feel it not just observe it,” Hassan told a wire service. “The dioramas and thematic galleries will help visitors visualise how the city evolved through different civilisations,” he said, adding, “Multan has always been a meeting point of cultures and this museum will reflect that through its collections.” 
The over Rs111 million museum is a manifestation of Islamic architecture with a main dome with dome-lets around at the rooftop and the red brick edifice’s facade decorated with traditional designs in Kashikari. It has four galleries including archaeological gallery, war gallery, Islamic gallery and art and craft gallery besides a laboratory for archaeologists to engage in research and analysis, a cafeteria besides a spacious parking space.  
Curators are focusing on integrating modern museum techniques, including interactive displays and guided narratives, to engage younger audiences and researchers alike. The aim is not only to preserve artifacts but also to interpret them in a way that resonates with contemporary visitors.
For a city often referred to as the “City of Saints,” the museum promises to add another dimension to its identity, presenting Multan not only as a spiritual hub but also as a cradle of history, art, and enduring human creativity.
A senior archaeologist Babar Baig, while preparing labels for the artefacts displayed in showcases of the museum, hoped the work would be completed soon to pave the way for formal opening of a facility Multaniites had been trying to have access to for the last few decades.
The lead archaeologist Muhammad Hassan agreed saying labeling is at preliminary stage and some quality material will be used when it gets a finishing touch. He added that work is expected to complete soon, hopefully during the first 10-15 days of May 2026. 
Beyond preserving relics, the museum aspires to tell the enduring story of Multan, where past and present converge in a vibrant expression of heritage.